Transcendental Cinema Today. SCMS. 2027. Submitted Panel Proposal.

Eco-Conscious Aesthetics as Research: More-Than-Human Perspectives in Artists' Films. ↗SCMS, Denver. April 2023.

Air and Wind: Elemental Relations as Critique in Artists' Documentaries, ↗Visible Evidence, Frankfurt. December 2021.

Reversed Point of View: Human and the Anthropo(s)cene in Baltic Documentaries, ↗ASEEES. November 2020.

From Water to Wind: Elemental Critique in Recent Eastern European Video Art ↗NECS, Gdańsk. June 2019.

Environmental Memories of the Cold War in Moving-Image Art ↗Art in the Anthropocene, Dublin. June 2019.

Objects and History on Film: Performing Cold War Past Eco-critically, ASEEES, Boston. December 2018.

Mermaid with a Movie Camera ↗NECS, Amsterdam. June 2018.

Eco-Cinema Beyond Point of View: Affective Images of Hyperobjects and Ontological Po(e/li)tics ↗Posthumanism Research Institute, St. Catharines. April 2018.

Non-Human Perspective and Cinematic Meshwork in Béla Tarr's Films, ↗SCMS, Toronto. March 2018.

Sensorial Reconsideration of Materials in Films by Lithuanian Contemporary Artists, ↗NECS, Paris. June 2017.

On the Possibility of Object Position Film Theory, ↗SCMS, Chicago. March 2017.

Haunting Spaces: Socialist Urban Space in Recent Post-Soviet Films from the Baltic Countries ↗Space and Cinema, Lisbon. December 2016.

Temporal Realism in Lithuanian Documentary Films of the Early 1990s. ↗The Real of Reality, Karlsruhe. November 2016.

Reenactment of Cinematographic Past: Complex Temporal Objects Between Cinema and Contemporary Art. ↗Film-Philosophy, Edinburgh. July 2016.

Cinematic (Re)Turn to Documentary Archives: New Historicities in Post-Socialist Found Footage Films ↗CICOM TiMeDoc, Pamplona. June 2016.

Post-Historical Space through Lenses of Moving Camera. ↗SCMS, Atlanta. March 2016.

Representation of Present-day Inhabitants of Socialist Urban Space in Post-Soviet Films from the Baltic Countries ↗Film & History, Madison. November 2015.

Reconsideration of Materiality of Monumental Memory in Films by Contemporary Artists from the Baltic Countries ↗Mnemonics, London. September 2015.

Temporal Dimension of Nonrepresentational Realism in Early Films by Šarūnas Bartas ↗Thinking Reality and Time through Film, Lisbon. May 2014.

Re-edited Images from the Communist Film Archive: Possibilities for New Interpretations of the Recent Past ↗Visible Evidence, Stockholm. August 2013.

The Archival (Re)Turn: New Imagery of Soviet People in Post-Soviet Compilation Films ↗Film-Philosophy, Amsterdam. July 2013.

A Short History of Non-human Cinema Kaunas International Film Festival, Kaunas. September 2012.

On the Possibility of Non-representational Film Realism ↗Religion and Culture, Vilnius. May 2012.

Post-production of the Past: Moving Images as Smooth or Monumental MemoryCritical Themes in Media Studies, New York. April 2012.