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I am the Associate Curator of Video & Film at e-flux, where I program and moderate discursive screenings and lectures for e-flux Screening Room and e-flux Film online platform. From 2024, I am also the editor of the weekly online publication e-flux Film Notes, which explores the intersection of contemporary art and film through conversations with moving-image artists, theoretical reflections, and historical and experimental writings.
I have guest-curated and programmed screenings and exhibitions at art and film institutions around the world, including MoMA (New York), Power Station of Art (Shanghai), SeMa (Seoul), Anthology Film Archives (New York), National Gallery of Art (Vilnius), Alternative Film/Video Festival (Belgrade), Contemporary Art Center (Vilnius), West Bund Museum/Pompidou (Shanghai), Tramway Contemporary Art Center (Glasgow), TOP Museum (Tokyo), to name a few.
I hold a PhD in Cinema Studies from New York University (2022) and have been teaching moving-image art related courses at NYU, Columbia University, and CUNY/Brooklyn College since 2017. My texts have been extensively published in both academic and non-academic outlets, and I am the co-editor of two recent books: Cinema and the Environment in Eastern Europe (Berghahn Books, 2023) and Jonas Mekas: The Camera Was Always Running (Yale University Press, 2022).
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