Built with Berta.me

  1. I am the Curator of Video and Film at e-flux, where I program and moderate screenings, lectures, and discussions for both e-flux Screening Room and e-flux Film online platform. Starting in 2024, I am also the editor of the weekly online publication e-flux Film Notes, which explores the intersection of contemporary art and film through conversations with moving-image artists, theoretical reflections, and historical and experimental writings.

    Over the years, I have curated and programmed exhibitions and screenings at art and film institutions worldwide, including MoMA (New York), Power Station of Art (Shanghai), SeMA (Seoul), Anthology Film Archives (New York), National Gallery of Art (Vilnius), Alternative Film/Video Festival (Belgrade),  Contemporary Art Center (Vilnius), West Bund Museum/Pompidou (Shanghai), Tramway Contemporary Art Center (Glasgow), TOP Museum (Tokyo), to name a few.

    I hold a PhD in Cinema Studies from New York University (2022) and have been teaching courses on moving-image art at NYU, Columbia University, and CUNY/Brooklyn College since 2017. My writing has appeared widely in academic books and journals, and non-academic outlets. Most recently, I co-edited Cinema and the Environment in Eastern Europe (Berghahn Books, 2023) and Jonas Mekas: The Camera Was Always Running (Yale University Press, 2022).

    Based in New York, I continue to explore the evolving relationship between contemporary art and cinema seeking to bridge the gaps between the appreciation, curation, and study of the moving-image.