LUKAS BRASISKIS

PUBLICATIONS IN ACADEMIC JOURNALS & ART/FILM MAGAZINES

Jonas Mekas’s Requiem, published in e-flux Criticism, July 24, 2024.

This Art Called Cinema: The Launch of e-flux Film Notes, published in e-flux Notes, June 3, 2024.

A Brief History of the Cosmos in Cinema, published in e-flux Journal, Issue #142, February 24, 2024.

Anton Vidokle and Lukas Brasiskis on Curating the 14th Shanghai Biennale, published in Kinoki, Issue #2, December 20, 2023.

Pyrotechnics of the Dream: Remembering Films by Kenneth Anger, published in e-flux Notes, June 5, 2023.

Expanded Vision and Blended Mediums: Remembering the Art of Michael Snow, published in e-flux Notes,  January 9, 2023.

Review of 18th Camden International Film Festival, published in Art Agenda, November 18, 2022.

Into the Unknown Known: Images of Depersonalized People in Post-Socialist Found Footage Films, published in Found Footage Magazine, Vol. 8, October 2022.

Spectres of War in Deimantas Narkevičius's Legend Coming True and Sergei Loznitsa's Reflections, published in Acta Universitatis Sapientiae, Film and Media Studies, Vol. 21, June 2022.

How Moving-Image Artists Investigate the Era of ‘Alternative Facts’, published in FRIEZE, Issue 122, October 2021.

From Global to (G)Local: Window View in Artists’ Films Before and During Pandemic, published in Moving Image, Issue 1, October 2021.

13th Shanghai Biennale, Bodies of Water, published in Art Agenda, June 2021.

Forays into the Anthropocene: Artists’ Films in Time After Nature, published in MMCA Studies, The National Museum of Modern and Contemporary Art, Seoul, 2020.

Icy Water, Acid, and Free Forests: The New Ecocinema from East-Central Europe, co-authored with Masha Shpolberg, published in Apparatus. Film, Media and Digital Cultures, Issue 10, Fall 2020.

Mermaid with a Movie Camera: Performing the Cold War Past Eco-critically, published in The Cine-Files, Issue 14, Spring 2019.

Between Fiction and Reality: A Few Thoughts about Cinematic Animal Worlds, published in Animal, Human, Robot, MO Museum, Vilnius, 2019.

Hope in Despair, and Beauty in Revulsion: Trudno byt bogom, published in Senses of Cinema, Issue 4/2017, La Trobe University, 2017.

Whose Perspective is This? A Few Thoughts on Eija-Liisa Ahtila’s Studies on the Ecology of Drama, published in NECSUS, Autumn 2017.

Cinematographic Animal: From Anthropomorphization to Zoomorphism, published in Athena: Philosophical Studies, Issue 11, 2016.

Historical Contingencies in Šarūnas Bartas’ Early Films, published in East European Film Bulletin, Vol. 70, December 2016.

Šarūnas Bartas on His Work, published in East European Film Bulletin, Vol. 70, December 2016.

MONOGRAPHS & BOOK CHAPTERS

Cinema and the Environment in Eastern Europe, co-editor of the book, Berghahn Press, 2023.

Cinema and Cosmos, a chapter published in Cosmos Cinema: The Catalogue of The 14th Shanghai Biennale, Sternberg Press, 2023.

Jonas Mekas: The Camera Was Always Running, co-editor of the book, Yale University Press, 2022.

Techno-Natures in Works by Contemporary Moving-Image Artists, a chapter published in Expanded Nature – Écologies du cinéma expérimental, Light Cone, Paris, 2022.

Vision Machine and Modern Warfare: Visualising Invisible Powers of Images in Harun Farocki and Hito Steyerl’s Films, a chapter published in Everyday Representations of War in Late Modernity, Palgrave Macmillan, 2022.

In Between Hauntology and Representation: Spectres of War in Sergei Loznitsa’s Reflections and Deimantas Narkevičius' Legend Coming True, a chapter published in Everyday Representations of War in Late Modernity, Palgrave Macmillan, 2022.

From Water to Wind: Elemental Critique in Recent Eastern European Video Art, a chapter published in Environment in Eastern European Film and Video Art, Berghahn Press, 2023.

From Myth to Reality: Images of Domestic Space in Post-Soviet Baltic Films, a chapter published in Film & Domestic Space, Edinburgh University Press, 2020.

Eco-Critical Strategies in Moving-Image Art by Emilija Skarnulytė, a chapter published in In Focus: Women in Lithuanian Films, LAPAS Press, Vilnius, 2021.

Hope in Despair, and Beauty in Revulsion: Aleksei German, a chapter published in 100 Years of Soviet Cinema, The Leda Tapes, 2019.

Film Archive and Memory of History, a chapter published in Film and Philosophy, Vilnius University Press, 2013.

The Possibility of Non-representational Realism: From André Bazin to Nowadays, a chapter published in Film and Philosophy, Vilnius University Press, 2013.

Cinema in the Age of Television and New Media: From Movement of Images to Moving People, a chapter published in A Short Film History. From 1940’s till Nowadays, VKS Press, 2013.

Architecture of Space in the Films of Apichatpong Weerasethakul, a chapter published in A Short Film History. From 1940’s till Nowadays, VKS Press, 2013.

Philosophy of Béla Tarr’s Cinema, a chapter published in A Short Film History. From 1940’s till Nowadays, VKS Press, 2013.

The Stories of Ordinary People in Films of Aki Kaurismäki, a chapter published in A Short Film History. From 1940’s till Nowadays, VKS Press, 2013.

FILM CRITICISM

Review of Thomas Elsaesser’s book Film Theory: An Introduction Through the Senses, Kinas, 2013/1 (321).

Recycling Film Archive: Contemporary Practices, Kinas, 2012/4 (320).

Reading Mikhail Iampolski’s book Language, Body, Chance: Cinema and the Search for Meaning, Kinas, 2012/2 (318).

Hello Cinema, Hello Cinephilia: On the Workshop by Jacques Ranciere, Martin Arnold, and Jonathan Rosenbaum, Kinas, 2012/1 (317).

Desire to Make Films: An Interview with Thierry Jousse, Kinas, 2011/4 (316).

The Limits and Potentialities of Terrence Malick’s Cinema, Kinas, 2011/3 (315).

The Memory Which is Not Archived Yet: A Review of Films by Kamal Aljafari, Kinas, 2011/2 (314).

Where to Place a Camera? Some Thoughts About the Political Nature of Cinema, Kinas, 2010/4 (312).

Tribeca Film Festival: A Mirror of Today’s U.S. Independent Cinema?, Kinas, 2010/2 (310).

Cinematic Realism: In Between Naiveté and Philosophy, Kinas, 2010/1 (309).

Any-Space-Whatever: Cinematic Space in Transition, Immediacy, New School University, 2011 Spring Issue.