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  1. ACADEMIC JOURNALS & ART MAGAZINES

    "Review of 18th Camden International Film Festival", a critical review in Art Agenda, November 18, 2022.

    “Into the Unknown Known: Images of Depersonalized People in Post-Socialist Found Footage Films". Found Footage Magazine, a quarterly film journal. Vol. 8, pp. 44-51, October, 2022.

    "Spectres of War in Deimantas Narkevičius's Legend Coming True and Sergei Loznitsa's Reflections". International peer-reviewed journal of film and media studies Acta Universitatis Sapientiae, Film and Media Studies, Vol. 21, pp. 17−35, June 2022.

    "How Moving-Image Artists Investigate the Era of ‘Alternative Facts". FRIEZE, issue 122, October 2021.

    "From Global to (G)Local: Window View in Artists’ Films Before and During Pandemic", Moving Image, a journal edited and published by the Asian Artist Moving Image Association, issue no. 1, October 2021.

    "13th Shanghai Biennale, Bodies of Water". Art Agenda, June 2021.

    "Forays into the Anthropocene: Artists’ Films in Time After Nature". MMCA Studies (2020 Issue: "After Disaster, the Direction of Arts"), The National Museum of Modern and Contemporary Art, Seoul, 2020.

    "Icy Water, Acid, and Free Forests: The New Ecocinema from East-Central Europe" (with Masha Shpolberg). Apparatus. Film, Media and Digital Cultures, international peer-reviewed journal of film and media studies, Issue 10, Fall 2020.

    Mermaid with a Movie Camera: Performing the Cold War Past Eco-criticallyThe Cine-Files, a peer-reviewed journal of film studies, Issue 14, Spring 2019.

    "Between Fiction and Reality. A Few Thoughts about Cinematic Animal Worlds".  A text published in a peer-reviewed catalogue Animal, Human, Robot, MO Museum, Vilnius, 2019.

    "Hope in Despair, and Beauty in Revulsion: Trudno byt bogom". Senses of Cinema, 4/2017. La Trobe University, 2017.

    "Whose perspective is this? A few thoughts on Eija-Liisa Ahtila’s Studies on the Ecology of Drama". NECSUS, an international peer-reviewed journal of media studies, Autumn 2017.

    "Cinematographic Animal: From Anthropomorphization to Zoomorphism". Athena: Philosophical Studies, an annual peer-reviewed journal published by the Department of Contemporary Philosophy of the Lithuanian Culture Research Institute, 11, 2016, SSN 1822-5047.

    "Historical Contingencies in Šarūnas Bartas’ Early Films"East European Film Bulletin, Vol. 70. December, 2016.

    "Šarūnas Bartas on His Work". An interview with Lithuanian film director republished in East European Film Bulletin, Vol. 70. December, 2016.

    "What is New about “New Europe” in Contemporary European Cinema? East, West and Centre: Reframing Post-1989 European Cinema". Senses of Cinema, 4/2015. La Trobe University, 2015.

    "A Broad Family of Images: André Bazin on the New Media of His Time". Published in Screening the Past, Peer-reviewed Journal of Screen History, Theory & Criticism. ISSN 1328-9756. Issue 39, 2015.

    “Implications of Found and Archival Footage. Cinema as the Re-Evaluation of Historical Narrative. A Case-study of Revue, A Film by Sergei Loznitsa”. Published in the academic journal Acta Academiae Artium Vilnensis. Volume 64: “Visual culture: problems and interpretations” (ed. by Monika Saukaite, PhD), ISSN 1392-0316. Vilnius Academy of Arts. 2012 Spring Issue.

    “Non-Representational Cinema: from André Bazin to Gilles Deleuze”. Published in the academic journal Religion and Culture., Vol. 11, 2012, ISSN 1822-4539. Vilnius University. 2012 Fall Issue.


    BOOKS & BOOK CHAPTERS 

    “Techno-Natures in Works by Contemporary Moving-Image Artists”, a chapter in the book Expanded Nature – Écologies du cinéma expérimental (French edition), ed. by Elio Della Noce and Lucas Murari, Light Cone, Paris, 2022.

    "Vision Machine and Modern Warfare: Visualising Invisible Powers of Images in Harun Farocki and Hito Steyerl’s Films", a chapter in the collective monography Everyday Representations of War in Late Modernity, co-authored by Nerijus Milerius, Agnė Narušytė, Violeta Davoliūtė, Lukas Brašiškis. London: Palgrave Macmillan, 2022.


    "In Between Hauntology and Representation: Spectres of War in Sergei Loznitsa’s Reflections and Deimantas Narkevičius’ Legend Coming True"
    , a chapter in the collective monography Everyday Representations of War in Late Modernity, co-authored by Nerijus Milerius, Agnė Narušytė, Violeta Davoliūtė, Lukas Brašiškis. London: Palgrave Macmillan, 2022.


    “From Water to Wind: Elemental Critique in Recent Eastern European Video Art”, accepted to the book Environment in Eastern European Film and Video Art, ed. by Masha Shpolberg and Lukas Brasiskis. Berghahn Press. To be published in March 2023.

    Co-editor of the book Jonas Mekas: The Camera Was Always Running (eds. by Kelly Taxter, Inesa Brasiske, Lukas Brasiskis) and a co-author of "Introduction" for it. Yale University Press, 2022.

    “From Myth to Reality: Images of Domestic Space in Post-Soviet Baltic Films”. A chapter published in the book Film & Domestic Space, ed. by Miriam de Rosa and Stefano Baschiera. Edinburgh University Press, 2020.

    “Eco-Critical Strategies in Moving-Image Art by Emilija Skarnulyte”, a chapter in the book In Focus: Women in Lithuanian Films (ed. by Lina Kaminskaite and Natalija Arlauskaite). LAPAS Press, Vilnius. November 2021.

    "Hope in Despair, and Beauty in Revulsion: Aleksei German". Published in the collection of essays 100 Years of Soviet Cinema (ed. Daniel Fairfax, PhD),  The Leda Tapes, 2019.

    Cinema and the Environment in Eastern Europe. A co-edited (together with Masha Shpolberg) collection of articles to be published by Berghahn Books in December 2022.

    “Film Archive and Memory of History”. Published in the peer-reviewed book Film and Philosophy (Kinas ir Filosofija, ed. Nerijus Milerius, PhD), Vilnius University Press, 2013. ISBN 978-609-459-228-7. Published in 2013.

    “The Possibility of Non-representational Realism: From André Bazin to Nowadays”. Published in the peer-reviewed book Film and Philosophy (Kinas ir Filosofija, ed. by Nerijus Milerius, PhD), Vilnius University Press, 2013. ISBN 978-609-459-228-7. Published in 2013.

    “Cinema in the Age of Television and New Media: From Movement of Images to Moving People”. Published in the book A Short Film History. From 1940’s till Nowadays (Trumpa kino istorija. Nuo XX a. 5-ojo desimtmecio iki XXI a. pradzios, ed. Aukse Kancereviciute), VKS Press. ISBN 978-609-95289-1-5. Published in 2013.

    “Architecture of Space in the Films of Apichatpong Weerasethakul”Published in the book A Short Film History. From 1940’s till Nowadays (Trumpa kino istorija. Nuo XX a. 5-ojo desimtmecio iki XXI a. pradzios, ed. Aukse Kancereviciute), VKS Press. ISBN 978-609-95289-1-5. Published in 2013.

    “Philosophy of Béla Tarr’s Cinema”. Published in the book A Short Film History. From 1940’s till Nowadays (Trumpa kino istorija. Nuo XX a. 5-ojo desimtmecio iki XXI a. pradzios, ed. Aukse Kancereviciute), VKS Press. ISBN 978-609-95289-1-5. Published in 2013.

    “The Stories of Ordinary People in Films of Aki Kaurismäki”. Published in the book A Short Film History. From 1940’s till Nowadays (Trumpa kino istorija. Nuo XX a. 5-ojo desimtmecio iki XXI a. pradzios, ed. Aukse Kancereviciute), VKS Press. ISBN 978-609-95289-1-5. Published in 2013.


    OTHER PUBLICATIONS

    Regular contributions to the Lithuanian quarterly film culture-devoted journal Kinas (Cinema), (ed. by Živilė Pipinytė / Santa Lingevičiūtė) 2008-till now.

    Selected articles:

    "Review of Thomas Elsaesser's book Film Theory: An Introduction Through the Senses", 2013/1 (321)

    “Recycling Film Archive. Contemporary Practices”, 2012/4 (320).

    “Reading Mikhail Iampolski’s book Language, Body, Chance: Cinema and the Search for Meaning”, 2012/2 (318).

    “Hello Cinema, Hello Cinephilia. On the Workshop by Jacques Ranciere, Martin Arnold and Jonathan Rosenbaum”, 2012/1 (317).

    “Desire to Make Films. An Interview with Thierry Jousse” 2011/4 (316).

    “The Limits and Potentialities of Terrence Malick’s Cinema”2011/3 (315).

    “The Memory which is Not Archived Yet. A Review of Films by Kamal Aljafari”, 2011/2 (314).

    “Where to Place a Camera? Some Thoughts About the Political Nature of Cinema”, 2010/4 (312).

    “Tribeca Film Festival. A Mirror of Today’s U.S. Independent Cinema?”, 2010/2 (310).

    “Cinematic Realism: In Between Naiveté and Philosophy”, 2010/1 (309).

    “Any-Space-Whatever: Cinematic Space in Transition”. Published in the online academic journal of the Media Studies program Immediacy (ed. by Sumita Chakravarty, PhD). The New School University. 2011 Spring Issue.

    Cinema as a Tool for Understanding the Other, an educational book prepared for a film education program “Film at my School”. Published by Media and Film Education Center “Meno avilys”. April 2008.